Tradition is very much part of the performance of Gilbert and Sullivan. The
D'Oyly Carte Opera Company preserves that command of Sir William Gilbert, a
meticulous director of his work, that every word should be clearly spoken and
as clearly heard. For many years the Savoy operas have been part of the English
scene. This year's opening night of the winter season at the Princes Theatre
in London revealed new costumes and sets for The Gondoliers. These
settings of Venetian canals and the Palace of Barataria are gay and charming.
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In a production that was swifter than previously and at the same time respected
the traditions laid down by Gilbert, the wit of both the words and score
was freshly amusing. The New Symphony Orchestra, conducted by Isidore Godfrey,
played with elegance, enabling the audience to appreciate the subtlety of
much of Sullivan's music. That innovations were to the taste of lovers of
Gilbert and Sullivan light opera was shown by the vociferous demands for
encores and the prolonged applause. The other works in the company's repertoire
were eagerly awaited to see whether refurbishing had been carried out on
them as well.
It was after the production of The Gondoliers in London in 1889
that the rift arose between author and composer over the famous incident of
the carpet. The last two collaborations were not successful. Thus The
Gondoliers is in some ways the last of the line of Savoy operas. Remembering
that when the final copyrights run out in 1961, fifty years after the death
of Gilbert in 1911, all sorts of innovations will be possible, it is to be
hoped that the D'Oyly Carte Opera Company will maintain their worthwhile
traditions.
This production of The Gondoliers with Peter
Goffin's new costumes, opened on December 15 a three month season in Gilbert
and Sullivan revivals. While using the seventeenth century as a basis for
his costume designs, Mr. Goffin has avoided merely "dressing" the
opera in period fashion: his designs are intended to emphasise the familiar
characters of Gilbert's purely theatrical Venice and Barataria.
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| Jean Hindmarsh as Gianetta and
Joyce Wright as Tessa. |
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FROM ACT ONE OF THE GONDOLIERS: Thomas Round as Marco Palmieri
and Alan Styler as Giuseppe Palmieri. |
The Gondoliers is
an example of how careful Gilbert was to base his fancies on fact. In a letter
to Sullivan sketching the plot, he wrote: " The Venetians of the 15th
century were red-hot Republicans. One of their party is made king and invites
his friends to form a court. They object because they are Republicans. He
replies that he has considered that and proposed to institute a court in
which all people should be equal... In Act 2 the absurdity of this state
of things is shown."
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Page modified
27 August, 2011
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