CAPTAIN BILLY
An Operetta in One Act
The Words by Harry Greenbank
The Music by François Cellier
SCENE.--The Village Green at
Porthaven.
WIDOW JACKSON'S cottage is seen on the left, the Blue
Dragon is on the right. SAMUEL CHUNK discovered.
CHUNK (seated R.). Let me see--what's
to-day? Friday! then it won't bring any luck for the ABlue Dragon,” or
its owner. (Gets up.) Ah! Samuel Chunk, it was an evil day for you
twenty years ago when you deliberately disregarded the solemn injunctions of a
dying man. (Works L. through this.) It has lain upon my chest
like a nightmare ever since, and though some men would have called it by the
name of chronic indigestion, I know it to what in truth it is--an
uncompromising and inconvenient remorse!
(Goes R. to door).
Enter CHRISTOPHER JOLLY, L. U. E.
JOLLY. What ho, there! Landlord. I want a
night's lodging; and if the bed is comfortable, who knows but that I may linger
a week under your hospitable roof!
CHUNK. I shall be happy to accommodate you,
sir. The bed I am sure will give satisfaction. It is our state four-poster,
and is canopied with green. Allow me to take your bag. (Takes bag from JOLLY.)
A stranger in these parts, sir? I don't seem to know your face (puts bag R.)
JOLLY. Dear me, that's very disappointing. I
was afraid you wouldn't, and yet I live in hopes of being recognized. It is the
one drawback to complete happiness that nobody knows who I am--I don't
even know myself. For several years it has been my sole occupation to travel
about in search of my certificate of birth--I regret to say without
avail. I am, therefore, totally in the dark as to who I am, where I was born,
who my parents were, and what my age is. The last causes me more inconvenience
than all the rest. Am I a mere boy, or am I well advanced in life? Should I be
pursuing my studies, or is it time that I married some woman of suitable
appearance? You can scarcely appreciate the ceaseless worry of my position! Is
there any lot in life so dreary, so inexpressibly hopeless as that of the man
who has lost his certificate of birth?
SONG.-CHRISTOPHER JOLLY.
Oh, it isn't very nice
When you fail at any price
To discover any record of your birth,
Though you've offered a reward
That you cannot well afford,
And have travelled many times around the
earth!
I can truthfully aver
Ev'ry parish register
I've examined very diligently through,
And it wasn't to be met
In the House of Somerset--
So I wonder what on earth I am to do!
Any ordinary person will agree,
That it's really most embarrassing for me,
When unable to unearth
Such a document of worth--
My certifi-tifi-tifi-tifi-tificate
of birth.
For it puts me in a rage,
This uncertainty of age,
When I'm thoroughly unable to decide,
If I ought to be at school
Under pedagogic rule,
Or be blushing at the altar with a bride.
And supposing I decline
To be put to bed at nine,
Is it certain I am acting in the right?
After all, I may not be
Old enough to have a key,
And remain out very often all the night.
Any ordinary person will agree
That it's really most embarrassing for me,
When unable to unearth
Such a document of worth--
My certifi-tifi-tifi-tifi-tificate
of birth.
My companions point out
That there cannot be a doubt
I'm considerably over twenty-one;
For they say, AMy boy, you shave!
And you frequently behave
As a man of five-and-thirty would
have done.”
But of course I stand aloof,
When as plain and certain proof
They adduce peculiarities so small;
For to any man of sense
Circumstantial evidence
Doesn't positively prove a thing at
all!
Any ordinary person will agree
That it's really most embarrassing for me,
When unable to unearth
Such a document of worth--
My certifi-tifi-tifi-tifi-tificate
of birth.
CHUNK (getting up.) It certainly
places you in a very awkward position, sir. But still there can't be much doubt,
to look at you, that you're five or six-and-twenty years of age.
JOLLY. But you are simply judging by
appearances, which are never to be trusted. Take the case of a woman, she may
appear to you to be five-and-forty, but is she really that age? Oh,
no, Mr. Chunk, you know she is not! You have but to ask her and you will learn
the truth--she is twenty-seven (takes stage R.).
CHUNK. But have you no clue, can't you
remember your father or mother?
JOLLY. I never knew them! My earliest
recollections are of life among the Arab tribes in the great desert of Sahara.
I well remember being fed with some more than usually unpleasant native food
out of a coarse earthenware pot.
CHUNK. Poor boy!
JOLLY. Boy! There you go! How do you know I am a boy? I may have been a full-grown man when you were being dandled by a doting mother. The only clue I have is that my linen was marked with the name Christopher Jolly. I am anxious to examine the registers kept in the old parish church here. Can you tell me where the keys are to be obtained?
CHUNK. Yes, sir. You have but to knock at the
door of that cottage and the Widow Jackson will respond to your summons. She is
a harmless person, who keeps the keys of the church and opens the pews on
Sundays. Pour into her ears all that you have to say--she will give you a
patient and attentive hearing. She has been known to listen to the whole of one
of the Vicar's sermons.
JOLLY (going L.). Well, I shall
probably spend the afternoon at the church, and I will ask you to prepare a
substantial meat tea for my return. (CHUNK bows and goes R.) Why, who is
this pretty little maiden coming towards us? (looking L. U. E.)
CHUNK. Oh, that's Polly, sir--Widow
Jackson's daughter. She is a pupil teacher at the Porthaven Board School.
JOLLY. Dear me! I have always connected Board
Schools with everything repulsive and objectionable, but this pupil teacher is
most sweet and comely in appearance.
Enter POLLY, L. U. E.
CHUNK. Good afternoon, Miss Polly. This
gentleman wants the keys of the church--I have just referred him to your
mother.
POLLY. Quite proper, Mr. Chunk. (To
JOLLY) If you will follow me, sir, I will take you to mother; I daresay you
want to see the monumental brasses. They are very fine!
JOLLY. Well--no--I am anxious to
search the parish registers for a record of my birth.
POLLY. It is only right to tell you, sir,
that if you want a certificate signed by the Vicar, there will be two-and-sevenpence
to pay.
JOLLY. I will not let two-and-sevenpence
stand between me and my future happiness!
POLLY. Shall I call mother, sir?
JOLLY. I should much like to make myself
thoroughly at ease with you before being shown into her presence. Mr. Chunk, I
think it is time you should order in all that is necessary for the meat-tea
I spoke of.
CHUNK. Certainly, sir.
[Exit into “Blue Dragon” R.
JOLLY. Now that we are alone I can improve my
acquaintance with you. How old are you?
POLLY. Eighteen.
JOLLY. It is a sweetly pretty age, is it not?
POLLY. I have always thought so. You are more
than eighteen, sir?
JOLLY. I don't know that I am. I may be more,
I may be less, I cannot say.
POLLY. It should not be difficult to find
out. You have but to substract the year you were born in from the current year
and the answer will be your age. I have done many such sums; but of course I am
a Board School teacher, and used to intricate calculations.
JOLLY. But suppose I do not know the year I
was born in?
POLLY. Then you call to your aid the science
of algebra, and you represent the year of your birth by the symbol Ax,” which
is an unknown quantity.
JOLLY. I confess I never thought of calling
upon algebra to help me.
POLLY. I call upon it whenever I am sore in
need; sometimes it helps me out of my difficulty, but often it plunges me into
deeper labyrinths.
JOLLY (coming c.). Let us try to work
out my age, then. It may save me the two-and-sevenpence.
POLLY. In this case there are two unknown
quantities--one is the year of your birth, which we represent by the
symbol “x”; the other is your age, which we represent by the symbol “y.”
JOLLY. Why?
POLLY. Why not? The present year is 1891; and
if we make an equation of it we find that 1891 minus “x” equals “y.” In other
words, you are 1891 minus “x” years of age.
JOLLY. I see. The answer does not appear to
be very satisfactory.
POLLY. The answers in School Board algebra
very seldom are, sir.
JOLLY. Mr. Chunk told me you were a pupil
teacher. It is not often one sees so pretty a maiden. What a pity that you
should be cooped up in a school when every pulse should be bounding with the
delight of spring-time!
POLLY. The breezes come to me through the
open windows, sir, for the schoolroom is well ventilated; and I like my work,
for I feel I am opening up the minds of young England; but sometimes a great
longing comes over me--particularly when a sum will not work out
properly--to race out into the meadows without my hat,and drink in all
the sweetness of the scented air, while the soft breeze plays with my pretty
curls, and coaxes the hairpins from their hiding-places!
JOLLY, It is a fair picture. I would gladly
join you in your pastime (takes her to seat L.).
DUET.--CHRISTOPHER and POLLY.
JOLLY. When
flowers blossom in the spring,
And lambkins frolic gaily;
Oh! is it not an irksome thing,
Instructing children daily?
To take them through the alphabet,
From Aantelope” to Azebra@;
And on their slates politely set
Equations in algebra?
BOTH.
Sing hip-hooray!
(up, and come C.) In merry May
The scent of hay will reach her;
That very merry,
Chubby, cherry,
Charming pupil teacher!
POLLY. I
love to sit upon the grass,
And listen to the ewe-bells;
Or in the woods my time to pass,
In gathering the blue-bells.
But daily I the children teach
Of those who can't afford schools--
For Government within their reach
Has kindly placed the Board Schools.
BOTH (together). Sing hip hooray!
In merry May,
The scent of hay will reach her;
That very merry,
Chubby, cherry,
Charming pupil teacher!
JOLLY. I am quite anxious to know the mother
of such a charming daughter. I hope to instal myself in her good graces.
POLLY. If you wish to do that, sir, I will
tell you how to accomplish your object. My poor mother has one weakness, and
that is to be asked to dance a hornpipe, and to be praised for the way in which
she executes the steps.
JOLLY. A hornpipe?
POLLY. Yes, sir; in truth it is a feeble
performance, but if only you will praise it, she will be most gratified.
JOLLY. It is a curious weakness on your
mother's part. I understood she was a pew-opener.
POLLY. So she is, sir, but father was a
sailor, and in a moment of thoughtlessness he taught her this hornpipe. Ten
years ago he disappeared and has never been heard of since, and for ten years
mother has danced the hornpipe continually as a tribute to his memory.
JOLLY. She does not combine it with the pew-opening
business, I suppose?
POLLY. Oh no, sir, she keeps them quite
distinct. But I think ten years of zealous pew-opening would have broken
any woman's heart who had not the hornpipe to fall back upon in her leisure
moments. Mother! (goes to door of cottage, L., and knocks.) Mother,
dear!
Enter WIDOW JACKSON from cottage.
WIDOW. Why, Polly, what's the matter?
POLLY. A gentleman to see you.
JOLLY (aside). What a sober and
respectable person! (Aloud.) Yes, Mrs. Jackson, Mr. Chunk tells me that
you have the keys of the parish church, and I wish to inspect the registers.
WIDOW. I shall be very happy to show them to
you, sir. Would you like to go at once?
JOLLY. If it is quite convenient; but I have
one little request to make of you first. Your husband was a sailor, I think
WIDOW. Ah! sir, let him rest. He was a bold,
bad man; but for ten long years he has ceased to worry me.
JOLLY. You mean he is dead?
WIDOW. I think so, sir--when a
man never comes near his wife to bully her for ten years, she is justified in
supposing he is dead. It is the only explanation of such self-denial.
JOLLY. At any rate, you were a sailor's wife,
and, in spite of your present calling, rumour says you have acquired a strange
facility in the performance of a hornpipe.
WIDOW. Oh, sir, you flatter me!
JOLLY. Indeed, I do not, Mrs. Jackson; I
merely repeat what I am told. I should much like, before you take me to the
church, to witness your agility in this exacting dance.
WIDOW (going c.). Shall I humour him,
Polly? I have not danced it since Saturday week.
POLLY. Yes, do, mother dear; it will cheer
you up wonderfully.
TRIO and DANCE.
WIDOW, POLLY, and CHRISTOPHER.
JOLLY. With beating heart I wait to see.
A proof of your agility;
A hornpipe I am told you trip
As though you'd served on board a
ship.
POLLY. So, mother dearest, please begin!
You see the state he's getting
in;
Remember that your little whim
Is something wholly new to him.
ALL. With
a yeo heave ho! my lads,
When
the breezes blow, my lads,
We'll luff the ship
And a hornpipe trip,
With
a nimble toe, my lads.
When
we hear the seagull's cry,
To
the sandy shore we fly,
For who would choose
To open pews
While
the waves are rolling high?
(Hornpipe).
WIDOW. I sometimes think it's very sweet
To be so nimble on the feet;
Without a hornpipe I could not
Endure my unexciting lot.
This harmless habit day by day
Drives all the cares of life
away!
POLLY. We like to see you ease your
pain,
So, mother dearest, dance again.
ALL. With
a yeo heave ho! my lads,
When
the breezes blow, my lads,
We'll luff the ship,
And a hornpipe trip,
With
a nimble toe, my lads.
When
we hear the seagull's cry,
To
the sandy shore we fly,
For who would choose
To open pews
While
the waves are rolling high?
(Hornpipe).
(They all dance off L.U.E. Enter
CAPTAIN BILLY R.I.E.)
CAPT.
So I am in Porthaven once more, after an absence of ten years. All, there's my
cottage! I wonder whether my Emma is lying peacefully in the little churchyard,
or whether she takes in washing. It is sure to have come to one or the other.
My idea is that she is not sleeping in the churchyard. Emma had the appearance
of a woman who would take in washing when driven to the last extremity. And then
our little Polly--why, Polly must have grown up by this time. But
this is weakness! It is not worthy of a pirate. Heart up, man, think of your
long career of crime, and be merry and cheerful once more! And here is the old
“Blue Dragon”! Surely Samuel is not to be found within--they can't all
have survived my ten years' absence. What ho there, landlord!
Enter SAMUEL CHUNK from “Blue Dragon.”
CAPT.
Samuel, by all that's blue! How are you, messmate?
CHUNK.
Why, who do you mean to say you are?
Not--not Billy--oh, no, Captain, I'll not believe that! You're trying to frighten me.
CAPT.
Billy it is, you white-livered publican!
CHUNK
(sits down R). I thought you were dead or drowned, or shot or hung, and
that everything was nice and comfortable, and now you go and turn up like this!
Oh, Billy, one doesn't look for consistency in pirates, but after ten happy
years without your company this is more than usually thoughtless of you!
(Weeps).
CAPT.
Don't take on so, Samuel You are not well--try a little sarsaparilla.
CHUNK.
What can sarsaparilla do for the victim of remorse?
CAPT.
Remorse, Samuel? Oh, this is positive
childishness! You, a man absolutely steeped in crime, by proxy, you--a
robber, an assassin--by proxy--you talk of remorse? Oh, pooh,
Samuel!--pooh! (takes stage L).
CHUNK
(gets up). And who was my proxy? You--you--you! Oh, why did
I ever enter into this criminal partnership?
CAPT.
Because you thought it would be a paying concern. You found the capital and I
was to be managing director; you were to take five per cent. interest on your
capital and ten per cent. of the gross receipts, the remainder was to belong to
me as recompense for the great personal risk I ran.
CHUNK.
Yes, Billy, I thought that just and equitable.
CAPT.
Then what have you to complain of? I remitted you your share of the profits
regularly every month by registered letter.
CHUNK.
You did, you were most punctual in your payments.
CAPT.
I daresay you wonder that I never feel remorse for my piratical career,
but I don't. If ever man had an excuse for turning pirate, I had. Brought up
with my twin brother in the paths of rigorous orthodoxy, taught by a fond
mother that a dissenting chapel was a plague spot upon the face of the earth,
imagine my feelings when immediately after the death of our beloved parent my
twin brother deliberately turned his back upon the orthodoxy I delighted in and
joined the Plymouth Brethren! Oh, Samuel, it nearly broke my heart, and in the
excess of a righteous grief I purchased the cruiser “Lily,” A1 at Lloyds, and
became a pirate without delay.
SONG.-CAPTAIN BILLY.
CAPT. A pirate bold am I,
They call me Captain Billy,
A trim built craft,
Both fore and aft,
Is
the pirate cruiser “Lily.”
But oh, I sit and sigh,
When
I think how I and brother
Had lots of grub,
And a Saturday tub,
From
a fond and foolish mother!
BOTH. Then here's a health to Billy,
Commander of the “Lily”;
And
drink the toast
On
ev'ry coast,
From far Japan to Chili!
CAPT. She trained us in the way
That
every good boy goes in,
And we were told
Our hands to fold
And
turn our little toes in.
She taught us day by day
No
chapel door to enter
Where weekly flocks
Unorthodox
The
bold and bad Dissenter
BOTH. Then
here's a health to Billy,
Peru
and Piccadilly
Will drink the toast
With every coast
From
far Japan to Chili.
CAPT. To man's estate we grew
Without
unseemly frolic,
Till in the prime
Of summer time
Dear
mother had the colic,
Alas! we scarcely knew
We'd
seen the last of mother
When brother Jack
Arrayed in black
Became
a Plymouth Brother.
BOTH. Then
here's a health to Billy,
Peru
and Piccadilly
Will drink the toast
With every coast
From
far Japan to Chili.
CAPT. I wept to think he should
From
orthodoxy gyrate
And in my grief
I sought relief
By
starting as a pirate.
And now, in cause of good
I
give no vote or proxy
My heart went dead
When brother said
Good-bye
to orthodoxy.
BOTH. Then
here's a health to Billy,
Commander
of the “Lily,”
And drink the toast
On every coast
From
far Japan to Chili.
CHUNK.
It must be a consolation to you to feel that you did your very best to punish your
dissenting brother.
CAPT.
It is. I have endeavoured to stamp out his branch of the family, and when you
sent me word, twenty years ago now, that Jack was dead I hastened to take his
little son to Africa. Immediately upon our arrival I took him for a walk in the
great desert of Sahara. I regret to add I lost him there. He has never been
heard of since, and I have inherited my brother's estates.
CHUNK.
Oh, William, what a very bad man you are!
CAPT.
No, Samuel, I am not wholly bad. I sold the estates by auction, but I remitted
you ten per cent. of the gross sum they realized by registered letter, as
usual.
CHUNK.
You did. I remember signing the receipt for it. It was over two pounds, Billy,
so I signed across a stamp. I, too, have been a bad man, but I could not bring
myself to defraud the Revenue.
CAPT.
As for my brother's boy, even if he survived the terrors of the desert, no one
would have any clue to his identity. Before I took him out and lost him, I
marked all his linen with the name “Christopher Jolly” in bold and distinct
characters.
CHUNK.
Christopher Jolly? The name seems familiar.
CAPT.
Impossible! It was entirely my own invention. The boy's real name, as you know,
was Cherubim Jackson.
CHUNK.
You did the child a true service in making the alteration.
CAPT.
Of course I did. No young man called Cherubim could ever have got on in life.
For instance, he could never have gone on the Stock Exchange.
CHUNK.
I have it! Christopher Jolly! Why, Billy, there's a gentleman of that name
staying at the “Blue Dragon” now!
CAPT.
Nonsense!
CHUNK.
There is indeed; and what's more, he's in search of his certificate of birth!
CAPT.
Phew! (overcome).
CHUNK.
He's at the church now examining the registers.
CAPT.
You cut out the page that contained the entry, didn't you, Samuel?
CHUNK.
Of course I did; but he's looking for Christopher Jolly, bless you, not
Cherubim Jackson!
CAPT.
Ha, ha, ha! What a joke! But I should like to make certain that he's
our man. Has he any luggage with him?
HUNK.
Only a bag. I'll fetch it.
[Exit into “Dragon.”
CAPT.
(going R). Is remorse going to stir in this weatherbeaten bosom of mine
after all these years? Perish the thought! (looking off L.) But who
comes this way? No--yes--no--great heavens! my wife!
Enter WIDOW JACKSON L.U.E.
CAPT.
Emma! (WIDOW stares at him). Why don't you know me, Emma?
WIDOW.
William! (faints in his arms.) Oh, William, do you mean to say you've
come back after leaving me in peace all these years?
CAPT.
That's the idea, Emma.
WIDOW.
I have schooled myself to think that you were dead.
CAPT.
I too fancied you might be no more, but I find you alive and apparently
in the enjoyment of rude health. Am I wrong in supposing that you take in
washing, Emma?
WIDOW.
You are. Perhaps you wonder how I eked out my scanty income during the ten
years that you left me entirely on my own resources.
CAPT.
Do not be hard on me, Emma! I knew you had a small sum judiciously invested--in
the three per cents I think.
WIDOW.
The three per cents it was, William; but amidst buccaneering pursuits, did no
whisper ever reach you of their conversion into two and three quarter per cents
through the treachery of a Chancellor of the Exchequer?
CAPT.
Never! Had I known that a member of the Government had dared to tamper with my
Emma's income, I should have sailed my cruiser “Lily” up the Thames, and have
ordered my pirate crew to sack the offending creature's official residence! Oh,
I promise you, Emma, that when Captain Billy stood across his prostrate form he
should dearly have repented his Budget proposals.
WIDOW.
Oh, William, my hero! But alas! you never knew how at times I longed for a
postal order from you!
CAPT.
It must have been a hard struggle, my poor Emma.
WIDOW.
Fortunately, through the timely decease of old Mrs. Bunning, the post of parish
pew-opener became vacant, and our vicar kindly appointed me her
successor.
CAPT.
A pew-opener--come, Emma, this is better than taking in washing!
And our little Polly?
WIDOW.
Polly is eighteen, and she is a Board School teacher.
CAPT.
A Board School teacher! And her father a pirate! (with emotion.)
WIDOW.
Oh, William, promise me that the authorities shall never know your dreadful
vocation! Polly would be dismissed
after such an exposure. Think, William, think what the evening papers would
say.
CAPT.
(groans). I know, Emma--another Board School scandal!