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Gilbert and Sullivan Archive
His Excellency
Lyrics by W. S. Gilbert
Music by Frank Osmond Carr
Synopsis by Arthur Robinson
Gilbert's comic opera His Excellency, with music by Frank
Osmond Carr, was first performed on October 27, 1894, with a cast including
such familiar faces from the Savoy as George Grossmith (as Griffenfeld),
Rutland Barrington (as the Regent), and Jessie Bond. Most of the reviews praised Gilbert's libretto, but Carr's music was less popular, and the opera had a relatively short run.
His Excellency is set in Denmark--to be exact, in Elsinore
(Hamlet's home town). The major characters are:
- George Griffenfeld, governor of Elsinore, a notorious practical joker
- His daughters:
- Their impecunious suitors:
- Erling Sykke the sculptor
- Dr. Tortenssen the physician
- Mats Munck, the Syndic
- Dame Hecla Cortlandt, who is engaged to Griffenfeld (against his will)
- Christina, a ballad singer
- Harold, a corporal
- The Prince Regent of Denmark.
ACT I
As the play begins, the people of Elsinore are gathered around a
newly-completed statue of the Prince Regent, congratulating the sculptor,
Erling, on his recently-announced appointment as Sculptor Extraordinary to the Royal Family. Erling's friend, Dr.. Tortenssen, has also had good news: he has heard that he has been appointed Personal Physician to the king. The two friends are especially pleased with their appointments because they are in love with Nanna and Thora, the two daughters of Governor Griffenfeld, and they hope that now the women they love will be less scornful. Nanna and Thora appear and agree to marry their wooers as soon as they assume their positions at the royal court. But as soon as the two men leave, the women laugh at their gullibility: the prestigious
appointments are a sham, another practical joke concocted by
Griffenfeld.
More of the Governor's victims now enter: a corps of Hussars, forced
to dance like ballet-girls. Harold, the corporal, complains to Griffenfeld
when he arrives that his men are tired of this. The Governor rebukes them
for having no sense of humor. He then reveals to Harold that he has
problems of his own: one of his jokes has backfired on him, and he now finds
himself engaged to Dame Hecla Cortlandt, an elderly woman with a dangerous
temper. When she arrived, Griffenfeld tries to sound her out by asking what
she would do if she learned he had proposed to her only as a joke. The
results are not encouraging. She describes what she'd do graphically in a
patter-song ("Your heart I'd tear from its loathsome lair--I'd pluck out
your eyes and your tongue likewise"). Griffenfeld plots with his daughters
to make Mats Munck, the local Syndic, believe that the wealthy Dame
Cortlandt is in love with him. The Griffenfeld family sings a trio about the
joy of jokes "that pain and trouble brew/for every one but you."
As they leave, a man "dressed picturesquely as a tattered vagabond"
(that's what the stage directions say) arrives. He is none other than the
Prince Regent of Denmark, who has disguised himself as a strolling player,
taking the name of Nils Egilsson, to ascertain for himself whether the
complaints about Governor Griffenfeld's jokes are justifiedy. As he
admires the statue of himself in the market place, he is joined by another
admirer--Christina, a ballad singer who has fallen in love with the statue.
So far her love seems to be unrequited, since the statue is "strangely
reticent." She is startled by the strolling player's likeness to the statue,
but the Regent persuades her that any resemblance is purely coincidental.
After she leaves, Griffenfeld returns, and is similarly struck by the
similarity, which he immediately decides to use for another malicious joke.
He bribes the stranger to pose as the Regent and dispense honors on all
the locals, whose disappointment when they learn the truth he expects to
find amusing.
Meanwhile, Dame Cortlandt keeps an appointment with Mats Munck, in
his capacity as solicitor ("How--how rich she looks, to be sure!" he
observes lovingly when she enters), during which they speak at cross purposes. She wants to make arrangements to settle her wealth on her future
husband (i.e., Griffenfeld), but Munck believes she is talking about him, and
his attempts at flirtation convince her that he is intoxicated.
 The plot continues to thicken. Erling and Tortenssen discover at last
that their "royal honors" are fraudulent, and Nanna and Thora spurn their
advances. The two men assemble the chorus to reveal the Governor's cruel
hoax, and are joined by Dame Cortlandt, who has also realized what is going
on and urges the others to go on with her to Copenhagen and complain to the
Regent in person. Griffenfeld arrives and, learning of the townspeople's
intentions, informs them that the Regent himself has just arrived in
Elsinore. The others sing of their hopes for vengeance, while Griffenfeld
and his daughters pretend to beg for mercy as the first act ends.
ACT II
Act II begins with the people waiting for an audience with the Regent.
He appears, and Harold and the Hussars, as evidence of the indignities they
have suffered, dance a ballet for him. The regent proceeds to confirm the
honors that Erling and Tortenssen had been led to expect, ennobling them
(thus enabling them to marry Nanna and Thora). He also promotes Corporal
Harold to Colonel and Mats Munck to Governor, and demotes Griffenfeld to
the ranks. After the others leave, the Regent hints to the Governor that
perhaps verbal humor would be safer than practical jokes, which "have such
a tendency to recoil on the heads of their perpetrators." Griffenfeld
claims to have played such jokes with impunity for forty-five years
(apparently forgetting his problems with Dame Cortlandt), and insists that
verbal humor is impossible because "every joke that's possible has long ago
been made," as he sings in the score's most famous song, "The Played-Out
Humorist" (which, incidentally, is cited twice in Bartlett's Familiar
Quotations).
The recipients of the Regent's generosity, in the meantime, are
dealing with the changes in their lives. Harold and his fiancée
decide to write a novel based on their experiences. Mats Munck decides
that, as governor, he need not stoop to marrying Dame Cortlandt; she, for
some reason, has decided she wants to marry him after all, and points out
that she got engaged to the Governor of Elsinore, and now Munck is
the Governor. Erling and Tortenssen decide that, now that they have ben
made a Count and Baron, they should be more stand-offish toward Nanna and
Thora; but when the Governor's daughters enter and pretend to cry, the two
suitors are soon on their knees, trying to console them. As the men go off
to prepare for the wedding, Nanna and Thora finally express remorse for
the way they've behaved and a wish that "it was all real".
Everyone assembles for a multiple wedding ceremony, but Griffenfeld
gleefully announces that the Regent is not the Regent, but a vagabond
impersonating him. His joy diminishes when he discovers that the vagabond
he hired to impersonate the Regent is in fact the Regent impersonating a
vagabond (or, to be exact, the Regent impersonating a vagabond
impersonating the Regent). The Regent informs Griffenfeld that all the
"Promotions, appointments, and marriage arrangements" announced as part
of the prank will indeed take effect, as will "the best and wisest of your
suggestions--your permanent degradation to the ranks." Christina begins
to weep because she has lost Nils Egilsson, but the Regent offers to remain
a strolling player if she wishes. The opera ends with all celebrating
(except for Griffenfeld).
This article appeared in Issue 42 (May 1995) of Precious Nonsense, the
newsletter of the Midwestern Gilbert & Sullivan Society. Posted by
permission of Sarah Cole, Society Secretary/Archivist. For information on
Society membership write to: The Midwestern Gilbert & Sullivan
Society, c/o Miss Sarah Cole, 613 W. State St., North Aurora, IL 60542-1538. The sketches sprinkled throughout the text above are by Gilbert.
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