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You are here: > > > Act I I
Dialogue following No. 17
Enter Grosvenor.
Leo Sheffield as Grosvenor
(1919-20)
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Grosvenor. It is very pleasant
to be alone. It is pleasant to be
able to gaze at leisure upon those features which all others may
gaze upon at their good will! (Looking at his reflection
in hand-mirror.) Ah, I am a very Narcissus!
Enter Bunthorne, moodily.
Bunthorne. It's no use; I can't
live without admiration. Since
Grosvenor came here, insipidity has been at a premium. Ah, he is
there!
Grosvenor. Ah, Bunthorne! Come
here — look! Very graceful, isn't
it!
Bunthorne. (taking
hand-mirror) Allow me; I haven't seen
it. Yes, it
is graceful.
Grosvenor. (re-taking
hand-mirror) Oh, good gracious! not that —
this —
Bunthorne. You don't mean that! Bah! I am in no mood for trifling.
Grosvenor. And what is amiss?
Bunthorne. Ever since you came
here, you have entirely monopolized the
attentions of the young ladies. I don't like it, sir!
Grosvenor. My dear sir, how can
I help it? They are the plague of my
life. My dear Mr. Bunthorne, with your personal disadvantages,
you can have no idea of the inconvenience of being madly loved,
at first sight, by every woman you meet.
Bunthorne. Sir, until you came here I was adored!
Grosvenor. Exactly — until
I came here. That's my grievance. I cut
everybody out! I assure you, if you could only suggest some
means whereby, consistently with my duty to society, I could
escape these inconvenient attentions, you would earn my
everlasting gratitude.
Bunthorne. I will do so at once.
However popular it may be with the
world at large, your personal appearance is highly objectionable
to me.
Grosvenor. It is? (shaking
his hand) Oh, thank you! thank you! How
can I express my gratitude?
Bunthorne. By making a complete change at once. Your conversation
must henceforth be perfectly matter-of-fact. You must cut your
hair, and have a back parting. In appearance and costume you
must be absolutely commonplace.
Grosvenor. (decidedly) No. Pardon
me, that's impossible.
Bunthorne. Take care! When I am thwarted I am very terrible.
Grosvenor. I can't help that.
I am a man with a mission. And that
mission must be fulfilled.
Bunthorne. I don't think you
quite appreciate the consequences of
thwarting me.
Grosvenor. I don't care what they are.
Bunthorne (Walter Passmore) and Grosvenor (Henry Lytton) (1900)
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Bunthorne. Suppose — I
won't go so far as to say that I will do it — but suppose for
one moment I were to curse you? (Grosvenor quails.) Ah!
Very well. Take care.
Grosvenor. But surely you
would never do that? (In great alarm.)
Bunthorne. I don't know.
It would be an extreme measure, no doubt. Still--
Grosvenor. (wildly) But
you would not do it — I am sure you would not. (Throwing
himself at Bunthorne's knees, and clinging to him.) Oh, reflect,
reflect! You had a mother once.
Bunthorne. Never!
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Grosvenor. Then you had
an aunt! (Bunthorne affected.) Ah! I see you
had! By the memory of that aunt, I implore you to pause ere you resort
to this last fearful expedient. Oh, Mr. Bunthorne, reflect, reflect! (weeping)
Bunthorne. (aside,
after a struggle with himself) I must not allow
myself to be unmanned! (aloud) It is useless.
Consent at once,
or may a nephew's curse —
Grosvenor. Hold! Are you absolutely resolved?
Bunthorne. Absolutely.
Grosvenor. Will nothing shake you?
Bunthorne. Nothing. I am adamant.
Grosvenor. Very good. (rising) Then I yield.
Bunthorne. Ha! You swear it?
Grosvenor. I do, cheerfully.
I have long wished for a reasonable
pretext for such a change as you suggest. It has come at last.
I do it on compulsion!
Bunthorne. Victory! I triumph!
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Date Created
May 10, 2005
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