W. T. Hemsley (1880-83, 1884-85)

Best known as a scenic artist, W. T. Hemsley spent several years with various D'Oyly Carte touring companies between October 1880 and July 1885, appearing in small (an occasionally larger) baritone roles. He got his start as Samuel in The Pirates of Penzance and Joseph in In the Sulks with Mr. D'Oyly Carte's newly formed "B"(later "C") Company in October 1880. At some point between March and October 1881 he switched parts in the companion piece, taking over as Mr. Liverby, and filled in for a time in August 1881 as Major General Stanley in Pirates.

From January to March 1882 he toured with another D'Oyly Carte company as Sir Whiffle Waffle in Stephens & Solomon's Claude Duval, then in April 1882 began eight months with Mr. D'Oyly Carte's No. 1 "Pirates" Company. Again he was Samuel, and again he appeared in the shorter curtain raisers:as Mr. Wranglebury in Mock Turtles, in an undetermined part in a "musical eccentricity" called My Luck, and as Arthur Melton in another non-musical piece, A Silent Woman. From December 1882 to July 1883 he was Diedrick Knickerbocker in a D'Oyly Carte tour of Planquette's Rip Van Winkle.

Hemsley's next engagement with D'Oyly Carte began in March 1884 as the Earl of Mountararat with Carte's No. 1 "Iolanthe" Company. The Company disbanded in December 1884, but by April 1885 he was touring again with Mr. D'Oyly Carte's "C" (Repertory) Company as Bill Bobstay in H.M.S. Pinafore, Samuel in The Pirates of Penzance, and Mr. Square in the Desprez & Solomon vaudeville Round and Square. In May the Company added Iolanthe to the repertoire, with Hemsley as Strephon. When the tour ended in July 1885 Hemsley left the D'Oyly Carte for good.

Although he appeared in the original London production of Cellier's Doris (Lyric, April-November 1889) and a touring production of Cellier's Dorothy in 1889, Hemsley's appearances on stage thereafter were infrequent. It was as a scenic designer that he would earn his fame and greatest rewards. He had begun in 1868 painting "stock" scenery for the Mechanics' Institute in Swindon, and he designed his first production in London (The Eviction, at the Olympic) in 1880. He began many years of painting scenery for the Cambridge University Greek plays in 1886. Between 1889 and 1911 he was responsible for scenic design for many London productions at the old Globe, Haymarket, Prince of Wales's, Lyric, His Majesty's, Adelphi, Scala, Imperial, Garrick, and Playhouse Theatres.